T'me, T'you
2026, digital print.
‘T'me, T'you’ is part of a series that uses the panorama setting on an iPhone camera in non-standard ways. We used this technique to extended our wooden 2-man saw to make it improbably long. This plays on the inherent humour of the 2 man saw, imagining what would happen if the sawing action made the saw longer and longer rather than another object smaller.
Move Down
2026, digital print.
‘Move Down’ is part of a series that uses the panorama setting on an iPhone camera in non-standard ways. This process is visible in the work as the image is of a screenshot of the camera mid-capture, the stretched element of the work is in the preview box.
Slow Down
2026, digital print.
‘Slow Down’ is part of a series that uses the panorama setting on an iPhone camera in non-standard ways. This process is visible in the work as the image is of a screenshot of the camera mid-capture, the stretched element of the work is in the preview box.
Duhhh-Dun.................Duhhh-Dun.............. Duhhhh-Dun Duhhhh-Dun............... Duhhhh-Dun Duhhhh-Dun Duhhhh-Dun Duhhhh-Dun ............... Duh Duh Duh Duh Duh Duh Duh Duh Duh Duh Duh Duh Duh Duh Duh Duh Duh Duh Duh Duh Duh Duh Duh Duh Duh Duh Duh Duh Duh Duh Duh Duh Duh Duh Duh Duh Duh Duh Duh Duh Duh Duh Duh Duh Duh Duh Duh Duh Duh Duh Duh Duh Duh Duh Duh Duh Duh Duh Duh Duh Duh Duh Duh Duh Duh Duh Duh Duh Duh Duh Duh Duh Duh Duh Duh Duh Duh Duh ..........
2026, 2 digital prints and extended caption.
This work is part of a series that uses the panorama setting on an iPhone camera in non-standard ways. It is a parody of fishermens’ proud photos of their catch. For this work we hijacked the caption and made it part of the work by giving it such a long title that the caption itself had to be stretched, in line with the theme of the exhibition.
Installation shot showing the extended caption and artwork layout.